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Featured Events

Friday 22 and Saturday 23 February 2019:
Juilliard Drama presents Martyna Majok´s 'Queens' Friday 22 and Saturday 23 February 2019

Lincoln Center, New York
Tyne Rafaeli, director
Juilliard Playwright alum and Pulitzer Prize winner Martyna Majok returns to the school to bring us queens , a bold story of immigration, humanity, and Americanization. The lives of two generations of immigrants collide in a basement apartment. Epic, personal, and political, queens explores the cost of closed doors and forgetting where you came from.

Saturday 23 February 2019:
Nightcap: Curated by Matthias Pintscher Saturday 23 February 2019

Sat 23 Feb 2019, 22:30 - Lincoln Center, New York
Cap off your evening with a drink and an intimate musical exchange in the glow of the skyline as seen from the Kaplan Penthouse. Composer / conductor Matthias Pintscher pulls back the curtain on his layered sound world, sharing the music of his deepest influences.
Part of Nightcap, a series hosted by Nadia Sirota, Creative Partner.
This event complements that evening’s Philharmonic concert
Saturday Matinee: Stravinsky´s Firebird Saturday 23 February 2019

Sat 23 Feb 2019, 14:00 - Lincoln Center, New York
A Saturday afternoon couldn’t be more thrilling than when you can hear Stravinsky’s exotic Firebird, an utterly original, daring ballet score vibrant with colors that glitter and pulse to fantastic effect. The concert starts with chamber music, and continues after the concert with a lively Q & A with the Orchestra’s musicians.

Saturday 23 and Sunday 24 February 2019:
Juilliard Drama presents Bertolt Brecht´s 'Mother Courage' Saturday 23 and Sunday 24 February 2019

Lincoln Center, New York
Moni Yakim, director
Considered one of the great plays of the 20th century, Mother Courage and Her Children was written right after Hitler’s invasion of Poland in 1939. While responding to immediate events, Brecht set the play during the brutal Thirty Years War of 1618-1648 which engulfed almost all of Europe. Though it was published in English in 1941 the play did not reach Broadway until 196

Monday 25 February 2019:
The Best Jazz Albums You’ve Never Heard, Week Three Monday 25 February 2019

Mon 25 Feb 2019, 18:30 - Lincoln Center, New York
Ornette Coleman’s now-classic quartet (Coleman, Don Cherry, Charlie Haden, and Billy Higgins) as well as the incomparable pianist Paul Bley (who led the date) performing live in 1958 provides an extraordinary window into the mind and creativity of this legendary artist.

Tuesday 26 February 2019:
The Great Jazz Drummers, Week Four Tuesday 26 February 2019

Tue 26 Feb 2019, 18:30 - Lincoln Center, New York
Art Blakey and the Jazz Messengers were an institution in Jazz, a training ground for young artists to hone their chops and learn from the master.

Wednesday 27 February 2019:
Lincoln Center´s American Songbook: Gaby Moreno Wednesday 27 February 2019

Wed 27 Feb 2019, 20:30 - Lincoln Center, New York
With a mesmerizing mix of Americana, soul, blues, and folk-what she has called "Spanglish folk-soul"- Guatemalan-born singer-songwriter Gaby Moreno navigates troubled waters with "hauntingly beautiful" (NPR) anthems about love, loss, and the immigrant experience.

Jazz 101, Week 6 Wednesday 27 February 2019

Wed 27 Feb 2019, 18:30 - Lincoln Center, New York
As the 1940s gave way to the 1950s, Jazz developed many new offshoot styles. Cool Jazz arrived, seeking a marriage of BeBop and Swing Era music. Hard Bop sought to infuse bop with Blues and Gospel roots. Modal Jazz wanted to rebuild the music’s harmonic system completely, while Free Jazz sought to uproot many (and sometimes all!) of our preconceptions of what this music should sound like!

Thursday 28 February 2019:
88 Keys: A History of Jazz Piano Thursday 28 February 2019

Thu 28 Feb 2019, 18:30 - Lincoln Center, New York
What is the role of the piano in a Jazz ensemble? The answers varies by which era of Jazz you’re listening to! In tonight’s class, Loren Schoenberg will explore the evolution of the piano’s role in a Jazz ensemble throughout the music’s history.

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