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Monday 27 June 2022:
VEIN.FM Monday 27 June 2022

Mon 27 Jun 2022, 19:00 - Underworld Night Club, London
'This World is Going to Ruin You’ Engineered and produced with Grammy winning producer Will Putney
*SOLD OUT* RARE AMERICANS + SPECIAL GUESTS Monday 27 June 2022

Mon 27 Jun 2022, 19:30 - Camden Assembly, London
on Thursday 3rd March 2022 at 10am!

NLE Choppa Monday 27 June 2022

Mon 27 Jun 2022, 19:00 - O2 Forum Kentish Town, London
OhGeesy Monday 27 June 2022

Mon 27 Jun 2022, 19:00 - O2 Academy Islington, London
LCD Soundsystem Monday 27 June 2022

Mon 27 Jun 2022, 19:00 - O2 Academy Brixton, London
: Monday 27 June 2022 - 7.00pm

... anniversary year of the band´s first ever live shows which took place in London in 2002 (at Arthur Baker´s... over four years and their only European headline dates in 2022.
Where: O2 Academy Brixton When
Bella Hull: Edinburgh Preview Monday 27 June 2022

Mon 27 Jun 2022, 19:45 - Pleasance Theatre, London
> Bella loves gossip and compliments. She started standup at 17 out of a desire to obtain both at once
VOCES8 Online Vocal Workshop with Paul Smith - 4 Monday 27 June 2022

Mon 27 Jun 2022, 19:00 - Kings Place, London
broadcast, it will be available to view on demand until Wed 9 Nov 2022, 23:59.
Find out more about the
ArtsEd Dance Company Monday 27 June 2022

Mon 27 Jun 2022, 18:00 - Pleasance Theatre, London
around the building.
You can find out more about the measures in place to keep everyone safe here
Paul Taylor - So British (Ou Presque) Monday 27 June 2022

Mon 27 Jun 2022, 19:00 - O2 Shepherds Bush Empire, London
Shepherd´s Bush Empire When: Monday 27 June 2022 - 7.00pm

... (ou presque)' to London, with new jokes and stories you’ve never seen before; the follow up to his... know, this show has been rescheduled from Friday 28 January 2022. If you’ve already got tickets, they
The Purcell School Symphony Orchestra Monday 27 June 2022

Mon 27 Jun 2022, 19:30 - Cadogan Hall, London
Copland and Bernstein were without question two of the greatest American composers of the 20th century, and the two pieces played here date from 1950 and 1957. Both composers looked at various points in their lives to Europe for inspiration, for teachers, and for work.
Copland wrote his Clarinet Concerto for the jazz musician Benny Goodman, and the jazz-inflected colours of Bernstein’s score a



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