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Tuesday 30 October 2018:
London Chamber Orchestra Tuesday 30 October 2018

Tue 30 Oct 2018, 19:30 - Cadogan Hall, London
Mozart originally wrote this as a triple piano concerto, but later rearranged it for two pianos. Listen carefully and you can hear it - the thrill and complexity of the three parts being juggled between just two instruments.
Top it all off with one of Mozart’s most popular symphonies, described by one writer as a work of 'passion, violence, and grief’.


Wednesday 6 February 2019:
London Chamber Orchestra Wednesday 6 February 2019

Wed 6 Feb 2019, 19:30 - Cadogan Hall, London
What does Italian baroque music have in common with Argentinian tango? They’re both full of rhythm and dance, both have freedom to embellish and improvise. Hear the two meet as we take one of orchestral music’s most recognisable pieces and reinvent it with a Latin twist, including both violin and accordion soloists.


Wednesday 6 March 2019:
London Chamber Orchestra Wednesday 6 March 2019

Wed 6 Mar 2019, 19:30 - Cadogan Hall, London
Mendelssohn himself banned his Fifth Symphony from being performed and wanted it destroyed. Which would be a terrible advert for it if he hadn’t been so completely, utterly, wrong. It’s a superbly crafted piece of music: grand, intellectual and remarkably human.
Of Mozart’s 27 piano concertos, number 21 is probably both the most well-known and the most technically challenging. And with good re

Thursday 9 May 2019:
London Chamber Orchestra Thursday 9 May 2019

Thu 9 May 2019, 19:30 - Cadogan Hall, London
A youthful take on orchestral music: hear Prokofiev’s childhood classic narrated by his own grandson, Gabriel, alongside Gabriel’s acclaimed piece for DJ and orchestra - debuted at the proms in 2011.
And, of course, our outreach project Music Junction returns with participants performing a brand new piece written specially for them.


Thursday 13 June 2019:
London Chamber Orchestra Thursday 13 June 2019

Thu 13 Jun 2019, 19:30 - Cadogan Hall, London
'Write something cheerful for a change,’ said Dvo?ák to his teenage pupil and future son-in-law, Josef Suk. His Serenade for Strings is the result - sunny, gentle, and overwhelmingly beautiful. Dvo?ák loved it.




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