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Thursday 1 November 2018:
Matt - Celebrating 30 Years at The Telegraph Thursday 1 November 2018

Thu 1 Nov 2018, 19:00 - Cadogan Hall, London
Matt has been a joyous part of The Daily Telegraph for 30 years.
Join us to celebrate this landmark as Matt tells the stories behind three decades of making the front page, in an evening hosted by our Editor, Chris Evans.
Enjoy a celebratory drink on arrival, Matt and Chris Evans on stage, a Q&A, and the chance to meet Matt and have him personalise the new book to mark this occasion.

Friday 2 November 2018:
Roddy Frame in Concert Friday 2 November 2018

Fri 2 Nov 2018, 18:00 - Cadogan Hall, London
on Good Morning Britain.
Along the the way, they released singles like Oblivious, Walk Out To
... 2011, and by a sell-out string of prestigious shows in the UK to celebrate the 30th anniversary of High... been writing and preparing to go back on the road later this year.
Venue doors open 6pm.

Saturday 3 November 2018:
Wimbledon Choral Society Saturday 3 November 2018

Sat 3 Nov 2018, 19:30 - Cadogan Hall, London
Wimbledon Choral Society ( WCS ) is increasingly feeling at home in Cadogan Hall. Following sell
... out performances of Monteverdi Vespers in 2017, and Ellington’s Sacred Concert in June, they return

Monday 5 November 2018:
Valery Gergiev & the Mariinsky Orchestra Monday 5 November 2018

Mon 5 Nov 2018, 19:30 - Cadogan Hall, London
Valery Gergiev and the Mariinsky Orchestra return to Cadogan Hall with three concerts in the 2018
... world in 2018, worked at the Mariinsky Theatre for over half a century, including more than 30 years as

Tuesday 6 November 2018:
RPO Preludes Tuesday 6 November 2018

Tue 6 Nov 2018, 18:15 - Cadogan Hall, London
Royal Philharmonic Orchestra. These concerts take place on the concert stage of Cadogan Hall from 6.15pm
Opera Prelude: 'Debussy: A Painter in Sound’ Tuesday 6 November 2018

Tue 6 Nov 2018, 10:30 - Cadogan Hall, London
With Stephen Walsh (music critic and musicologist), accompanied by Maria Levandovskaya (piano) and Sophie Pullen (soprano).
In the centenary of Debussy’s death, Stephen Walsh’s compelling new biography Debussy: A Painter in Sound , digs deep into Debussy’s musical advances - "the pentatonic scales, the unresolved chords, the eccentric pedalling - to show that the result was a set of "colours"
Royal Philharmonic Orchestra Tuesday 6 November 2018

Tue 6 Nov 2018, 19:30 - Cadogan Hall, London
For centuries composers have been inspired by the great outdoors and in this concert Jac van Steen conducts a programme of such picturesque inspirations.
Enthused by a holiday trip to the Italian Riviera, Elgar’s In the South (Alassio) is complete which flowing streams and chirping birds. Vaughan Williams’ Oboe Concerto, filled with folk-inspired pastorals and a show-stopping finale, provides

Wednesday 7 November 2018:
The Carpenters Story Wednesday 7 November 2018

Wed 7 Nov 2018, 19:30 - Cadogan Hall, London
This highly acclaimed concert-style production continues to captivate audiences across the UK with its spectacular re-creation of the classic songbook that made The Carpenters a legend in the world of popular music.
The outstanding vocal talents of Claire Furley and pianist / artistic director Phil Aldridge take centre-stage, accompanied by Richard Carpenter’s original orchestral arrangements
New Chapter Author Morning: Andrew Gimson Wednesday 7 November 2018

Wed 7 Nov 2018, 11:00 - Cadogan Hall, London
Andrew Gimson is a political journalist and is the author of the acclaimed and updated Boris: The Rise of Boris Johnson. He has written the parliamentary sketch for The Telegraph for many years and is the author of the highly witty and extremely informative and entertaining Gimson’s Prime Ministers and Gimson’s Kings and Queens .

Thursday 8 November 2018:
Bach: St Matthew Passion Thursday 8 November 2018

Thu 8 Nov 2018, 18:30 - Cadogan Hall, London
The St Matthew Passion was composed as part of Bach’s duties as a church musician in Leipzig in the mid-1720s. In the nearly 300 years since its first performances it has firmly established itself as one of the pinnacles of Baroque art. The work sets Luther’s own translation of St Matthew’s Gospel (chapters 26-27) and is scored within a complex double choir structure which contains some of the com

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